Stil life experiment

DES

Well-Known Member
I recognize that conventional still life photography is not especially popular for subject matter. I've enjoyed it for a few years as an opportunity to experiment with colors, composition, and lighting. It's not unlike product photography, of course, which can be very lucrative....even with the emergence of AI. ;)

For this shot I used a godox LED light, camera right, with a small Westcott softbox, plus a gold refector on the left. I played with small adjustments in the position of the light and made a choice based on the difference in the way shadows were rendered.

Nothing special, but I thought it was a worthwhile learning experiment. Comments welcome.

Westcott2.jpg
 

JimFox

Moderator
Staff member
It looks special to me Darryl. I really like the way it's lit up and the fall off of the light outside of the basket.

I would call your experiment a rousing success!
 

DES

Well-Known Member
Thank you Alan and Jim. I had previously done a fair amount of jewelry photography & then started doing closeup/table-top subjects during the pandemic years, mostly out of boredom. The lighting is entirely different and most of my experiments now use LED lights & modifiers which I have "modified" for the purpose. I'd say my success rate is below 50%, but every now and then I get something I like.
 
I recognize that conventional still life photography is not especially popular for subject matter. I've enjoyed it for a few years as an opportunity to experiment with colors, composition, and lighting. It's not unlike product photography, of course, which can be very lucrative....even with the emergence of AI. ;)

For this shot I used a godox LED light, camera right, with a small Westcott softbox, plus a gold refector on the left. I played with small adjustments in the position of the light and made a choice based on the difference in the way shadows were rendered.

Nothing special, but I thought it was a worthwhile learning experiment. Comments welcome.

View attachment 74232

A beautiful still shot, I love the simplicity.

Oliver
 

Joe Colozzo

Well-Known Member
beautiful in it's own rights. technique and lighting is dead on. To make it more artistic I would use a more shalow depth of field to soften it up and use color grading in post work. Not saying I can do it, but from what Iv'e seen that's huge difference.
 

DES

Well-Known Member
beautiful in it's own rights. technique and lighting is dead on. To make it more artistic I would use a more shalow depth of field to soften it up and use color grading in post work. Not saying I can do it, but from what Iv'e seen that's huge difference.
Color grading is not something I've ever tried....I associate it mostly with cinema. But I tried a couple of subtle changes in post just to see what happens. Thanks for looking and for your comments.

Westcott2a.jpg
 

Joe Colozzo

Well-Known Member
it was a subtle change but it made a difference. I'm not sure what post processing software you use, But I would use YouTube to seek how to videos. I'm not even sure I do half of what I learned correctly or not but when I go to the before and after shot it looks like someone better than me did it. My problem is composition which you seem to do very nicely.
 

Joe Colozzo

Well-Known Member
if it's Photoshop look up f64 Academy .
Blake Rudis is a great teacher. it takes a lot of time to learn and digest but it's well worth it. He is a master of color also of using" blend if " and different blending modes in the layers.
 
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